Showing posts with label Dollhouse. Show all posts
Showing posts with label Dollhouse. Show all posts

Saturday, January 30, 2010

Swan Song


Alright, I know I've been a bad blogger. And maybe someday I'll finish out the best of the decade. But right now, there's just one thing that I have to write about.

Dollhouse finale!

I just finished watching it on DVR. I was thoroughly satisfied, especially for a show that I watched every episode of, but didn't ever love.

I knew what to expect going in. This is Joss Whedon, there are certain markers. Main characters were going to die. Redemption would be found. Vagueness would ensue.

The finale picked up where the unaired "Epitaph" left off, with Felicia Day, that guy and Molly from Heroes racing away from the zombie like "butchers" in LA to find Echo and the others. They were eventually captured by Rossum soldiers, one of whom was Paul. I knew not to expect things to be the same, but it seemed odd that Paul would be with Rossum. As it turned out it was all a plan. Rossum had kidnapped Topher to create a sort of mind bomb, that would wipe the entire world. Already a little bit unstable, for having been Topher, they drove him completely insane by shooting a someone in front of him every time he messed up. After rescuing him, Echo shot Clyde in his latest form and the fugitives headed to a farm, where Prya and Adelle and a young boy were picking strawberries. We find out that the boy is Prya's son. Anthony is conspicuously absent.

After explaining what was done to Topher and why, Topher reveals that he figured out a way to do the bomb but backwards, restored anyone who was ever wiped to their original "actual" status. Thrilled by the prospect of a returned world, but worried for their own existence, the gang realizes that they need to get someplace underground. They need to return to the dollhouse. An alarm goes off, and every one panics, fearing Rossum found them. But instead a group of Mad Max style fighters show up, speaking russian, among them is Anthony. As it turns out a small group of people have enhanced themselves further to help fight Rossum, allowing themselves to download various skills, but only able to keep so many at a time they wear the imprints around their necks in flash drives. We soon find out that although they had the child together, Anthony's decision to become one of these super soldiers, and forever revert to Viktor, drove a wedge between him and Prya. They head to Los Angeles, and the Dollhouse.

Paul and Echo talk on the trip, about how for ten years they've been dancing around their feelings. He asks why she only ever lets him in when she thinks their about to die, and she blows off the question. When they reach LA, they get ready to fight the butchers, there's some awesome gun mowing down and Penny, uh, I mean Mag (Felicia Day) gets shot in the legs. Paul runs over to check her and is immediately gunned down. Echo seems unshaken and other guy throws Mag over his shoulders and they head down into the Dollhouse.

The Dollhouse seems unchanged, dolls wander around it, one commenting as soon as they enter, "I try to be my best." But the biggest surprise comes when it turns out the person looking after all of them is Alpha. He teases Viktor about his face, and when Viktor playfully calls him a psycho he responds that he's "lapsed." So now, Spike, I mean Alpha is a good guy. The super soldiers try to take control of the situation but Alpha and Echo outsmart them (ah duh) and Prya begins smashing the flash drives angrily. Echo loses it on her, reminding her how lucky she is to have Anthony, and that he'll always love her. Echo finally admits to loving Paul, and Prya introduces her son, T, to his father.

Meanwhile with help from a video of Bennet, Topher builds the bomb and tells Adelle and Alpha that he has to actually explode it himself. Adelle offers to go with him, but he tells her that he "has to fix what we did to their heads, you have to fix the rest of the world. Your job is harder." She hugs him and Alpha takes him upstairs.

Adelle and other guy get ready to take the dolls to the surface, and she and Echo say goodbye. She tells her that Alpha went to destroy the tech and then hide, not knowing if he'll revert when the bomb goes off, but that he's leaving the chair. She tells Echo that the last fantasy the Dollhouse will fulfill will be Echo's. Echo responds that she has no fantasy. Adelle hugs her and they head to the surface. Topher sets the bomb off, and the dolls all collapse and wake up disoriented. Molly from Heroes sees other guy and asks what happened. He tells her he'll explain it. Back in the Dollhouse Echo finds a envelope with her name on it and a drive inside sitting on the chair. She sets up the chair and lies down. As it turns out, it's Paul's imprint. This way he can be with her always. She walks down into the house, past Prya, Anthony and T, and reclines in her pod, finally at peace.

OK, analysis time. Like I said, I saw certain things coming.

  1. Paul's death: As soon as Paul and Echo all but said "I love you" in the truck, I knew one of them had to die. It was that simple. I didn't expect it quite as soon as it happened, but thus is the way of Whedon. He giveth Wesley his Fred and then he taketh Fred away.
  2. Topher's redemption: Someone had to sacrifice themselves to save the world. Spike, Cordie, Shepherd Book, now Topher. Plus, in Topher's mind, the only way to redeem the destruction which his tech brought about, was to pay with his own life.
  3. Human element over tech: It's the old Return of The Jedi model. The Ewoks and rebels win with heart. Maybe this is because I just watched Buffy season four, where magic beats technology, but I'm starting to see a theme.
There were some other Whedon-y touches that I noticed.

  1. The scene where they start to fight the butchers was almost exactly like the final scene of Angel. I half expected Echo to grab an ax and say "Let's go to work"
  2. The butchers themselves bear a remarkable resemblance to the reavers of Firefly and Serenity.
  3. Vague ending with a sense of continuation...We could get a Dollhouse movie, or comic. (I don't want one. I'm glad it's over. DR. HORRIBLE 2!!!!!!)
Surprises
  1. Anthony and Prya got to live happily ever after. My dad and I were trying to figure out their tragedy, and guess what, there wasn't one! They have a kid. They get to be happy. I'm still not sure what to do with it.
  2. Alpha's a good guy now. I was happy, because between this and V, I was sure that Alan Thudyk was going to be the bad guy forever. And that would make me very sad.
  3. Didn't end on a battle that we never get to see. It was kind of a nice sweet romantic ending. Way to grow Joss.
Anyway, did anyone else watch and have an opinion?

Saturday, December 5, 2009

The River don't flow

OK, let's caveat before I start here.

Summer Glau is really good at what she does. Seriously, she does that whole slightly crazy, tilt of the head thing, combined with her sweet littleness, it's terrifying and wonderful to watch.

It really worked on last night's twin episodes of Dollhouse.

I don't love Dollhouse. I never really have. I like it, I'm relieved that it's ending next month, because it means that Joss can move on to other projects (Dr. Horrible sequel!!!!!!!!!!!!!)

Anyway, last night's episodes focused on the senator who has been claiming that he has evidence to take down the dollhouse. He does, and the evidence is Madeline aka Melly aka November.

It turns out that the senator himself is a doll. Well, not exactly, he was a political dynasty playboy who Rossum "enhanced" to become the ideal advocate. The plan was to take down Adelle and the LA Dollhouse, giving their tool the political leverage to keep Rossum safe forever. After some trickery on Topher's part, the LA Dollhousers figured out the plan and tried to break it down.

This is where Summer came in. She played Bennet, the genius programmer at the DC Dollhouse. Basically, she was River Tam, her character from Firefly but a more nutso sociopathic River. Like in that episode where she stabbed Jayne, or whenever she heard the code word in Serenity.

I have to admit she did a great job, and I was scared of her. As it turned out Bennet was working with Caroline before Caroline became Echo, and she abandoned her injured, leaving her arm paralyzed. As a result, Bennet is bent on revenge. She tortures Echo to pay for Caroline's crimes.

The real joy came though when Bennet and Topher met and worked together, in a giddy sociopathic nerd love thing. They're really into each other. Meanwhile, with Adelle and Topher off in DC trying to save the dollhouse, Topher left Victor behind, imprinted as him. This was hilarious, and pure joy for me. I've always wanted more Xander....I mean, Wash...I mean Topher.

Anyway, I think Dollhouse has set up a good home stretch for itself.

And it was nice to see River again. We nerds miss her.

Thursday, May 28, 2009

My Top 10 Season Finale Moments Part 2

Told you part 2 was coming! Here we are.

5. Fringe: There's More Than One of Everything


I wrote a lot about it when it aired, but I'm still getting over the Fringe season finale, and Olivia ending up in the alternate universe, with Leonard Nimoy and in the Twin Towers. It was so chilling and well done.

4. Lost: The Incident



There were so many moments to pick from in this episode, but I have to say the winner came when Ben stabbed Jacob and we all realized that Jacob and that guy he was talking to on the beach before were actually playing a big fat game of Highlander, and that Evil Locke (or Locke 2, as my brother calls him) is the guy on the beach. It was pretty sweet.

3. Dollhouse: Epitaph One



When Echo beat the living shit out of Alpha was an up point, but the real moment of truth came when Ballard got to choose one doll to set free and instead of Echo, he chose Melly. Pretty nuts, right?

2. How I Met Your Mother: The Leap


Barney told Robin he loved her, and she admitted she had feelings for him, and they made out! I don't know what else is going to happen with that relationship, but I think it's going to be good! I was super excited.

1. Gossip Girl: The Goodbye Gossip Girl

Like any of you expected me to pick something else! When Blair walked up to her apartment building, and Chuck was standing there, holding all of her favorite things from Europe. He told her he loved her, over and over and over again. I nearly cried. It was perfect.

So there they are, my favorite moments from this years crop of season finales.

Saturday, March 28, 2009

Did I fall asleep?

I owe Dollhouse a huge apology for my doubt! After turning a corner last week, this week it took off and a speeding pace...but it was the scenes for next week, where Echo remembers that she is in fact Caroline, and she, Sierra and Victor wake up and decide to escape the dollhouse. The episode is going to be titled "Awakening."

I'm impressed that it took only seven episodes for it to turn...it took Fringe a lot longer. (Fringe back in two weeks, hallelujah! It's been far too long since Josh...sigh Josh!) I was frustrated at first but doing five weeks of buildup only made the past two episodes all the more rewarding.

So I apologize Joss and Eliza...I never should have doubted you.

Now seriously, how long until Sarah Michelle makes her guest appearance...she could be like another uprising doll, or something.

Saturday, February 14, 2009

Whedon's Wonderful World of The Weird and Wordy




I spent a lot of time coming up with that title.

Wine hangovers are kind of good for nothing, except getting caught up on TV online. This morning I watched the premiere of Dollhouse.

Let me preface this review with a few things. I love Joss Whedon. LOVE HIM! I think he's brilliant, he changed TV (Without Buffy, there would no WB, with no WB there would be no Felicity, with no Felicity there's no JJ Abrams...I think that speaks for itself), and oh right the greatest peice of web based entertainment EVER!!

But saying that...I think Dollhouse fell short. I expect certain things from Whedon...I want wit and banter to combine with darkness to create something different. I saw very very little of Joss's wit in this pilot. The concept is ripe for it, the idea of wiping the minds of a group of people and then reprogramming them for various tasks and in between they live in a beautiful Asian Deco themed home without a care in the world.

Eliza Dushku is great as Echo, the "doll" at the center. She's always been highly underrated. Remember Bring it On? You know the original one, where she and Kirsten Dunst and a pre DH Jesse Metcalfe were really really funny. Or you know Buffy, where she was better than Buffy? I admire Joss's dedication to his discoveries.

The whole thing was just too slow and too dark. It felt like I was watching JJ Abrams's stuff. If I wanted to watch JJ Abrams, I would. Where were the biting quips? Everyone was talking way too slow.

And what's a shame is you know that Fox is going to keep it around for a while:
1. Because they're still trying to atone to Whedon fans for pulling the plug on Firefly
2. Because they don't cancel anything! (Except Arrested Development) Sarah Connor Chronicles springs to mind, also the past four or five years of Family Guy, also The Simpsons...
3. Because there's a lot of naked or semi naked Eliza Dushku and she's really really hot.

I'll watch the already made seven episodes as they come and report as to my further interest in the show. I'd like to see Sarah Michelle make a guest appereance. Seriously, what are she and Freddie up to lately that she's disappeared?

Personally, I'd rather see the sequel to Dr. Horrible happen than more of this. But I guess between How I Met Your Mother, Big Bang, Dollhouse and Castle, its not likely to happen until hiatus! Bummer